Nationality and blck diaspora in Marcelo D2's music
DOI:
https://doi.org/10.33956/tensoesmundiais.v5i8%20jan/jun.691Keywords:
National identity, black diaspora, hip-hopAbstract
This paper looks at how the cultural productions of Marcelo D2, one of the pioneers of Brazilian hip-hop, play into transnational narratives of blackness as well as the vision of the racially mixed nation. By showing the contradictions of race, gender, and sexuality within Marcelo D2’s cultural texts, I examine how these intersecting categories are used to reinvent ideas of Brazilian nationality and an alternative black diasporic identity
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Published
2018-11-23
How to Cite
MITCHELL, J. Nationality and blck diaspora in Marcelo D2’s music. Tensões Mundiais, [S. l.], v. 5, n. 8, p. 131–170, 2018. DOI: 10.33956/tensoesmundiais.v5i8 jan/jun.691. Disponível em: https://revistas.uece.br/index.php/tensoesmundiais/article/view/691. Acesso em: 22 nov. 2024.
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Authors retain the copyright and grant the journal the right to first publication, with the work simultaneously licensed under the Creative Commons Attribution 4.0 International license that allows the sharing of the work with acknowledgment of authorship and initial publication in this journal.
