Consciousness and Being in “Antagonias del Tocador”

Abstract

The encounter with Sartre and Being and Nothingness reveals a new conception of reality and human existence. His approaches to nothingness, action, incarnation, and freedom trace the search to define our being and being in the world and surround the fictionality of theater. This conceives each stage experience as a material being that breathes, grows, and mutates in the “here and now.” Even more so when the physical existence of “a being that never came to be” is sought and inhabits the performative performance “Antagonías del Tocador”.